This past weekend, (June 19th and 20th), we performed The Pirates of Penzance at Seoul National University of Education. These performances were the ones we hoped to make money from, beyond the very first performance two weeks ago for which we were sponsored. Our director, due to a nasty infection scare, remained hospitalized, but in this day and age, no paltry physical distance can separate a dedicated and internet-ready director from his thespian flock.
Three cameras and two laptops later, through Skype and Ustream, our motley assemblage was rehearsing under Captain Gimpy's watchful digital eye. It would not be accurate to say that he "never, ever, ever said a big, big 'D.'"* (It wouldn't even be accurate to say that I never ever said one, even though my mother was present).
While there were actual doors off to the left and right side of the stage this time, they led to closets, rather than wings as I understand them, which made them less helpful than they could have been, but infinitely more so than the unbroken walls of our first performance space. (I... did not think so kindly of them when I discovered one of their unlit walls with my face during the performance. Hindsight, however, has the blessing of being bruiseless). They were serviceable, if intimate, offstage areas.
At any rate, this marked my fourth rehearsal as the Pirate King (third, if we're counting ones where I played only the Pirate King... last weekend was an adventure in identity). It was not so raring a success as I'd hoped. We did not have time to run the entire show before we performed at 2:00, so we focused on Pirate-King-heavy numbers, which was very nice and accommodating of everyone.
This meant, of course, a special focus on "Oh better far to live and die," which is the actual name of the Pirate King song. The choreography for this song involved a sort of leaping trust fall on my part into the waiting arms of my pirate crew. Now, internet, my pirate crew includes a number of perfectly attractive gentleman pirates, and even those at whom I do not look appreciatively, I enjoy personally. It is not a problem for me to leap into their arms. It is a problem when, in the unending struggle against gravity, they lose a battle. I got dropped, internet. Twice. This was in rehearsal, so I started our 2:00 show with serious Old Lady Syndrome (my hips! My back! Get off my lawn!).
On the bright side, I warmed up my projecting muscles with loud shouts of "SON OF A-!" and "MOTHER-!" (They really did sound just like that, as I stifled the other bits so my actual mother - present at the time - would not make the Face of Deep Disapproval. You may not know it yet, dear reader, but you fear the Face of Deep Disapproval, as all wise people do). So, swears and bruises and all, we deployed for round one.
We hadn't sold more than half our tickets for this show, so our maimed-but-fearless leader had taken the opportunity to invite the residents of the place where we'd been rehearsing. They are, by and large, lovely people who are just a bit touched in the head, and there are many of them, so the auditorium was pretty full. A few needed to leave during the performance, but all in all, I think it was fine. It was well that we filled this show with them, as I think they were a more forgiving than discerning audience, and our first run was... suboptimal. It proceeded apace, but lacked the cohesion and energy, the groove, that we got into by the second show.
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Voila, preamble accomplished! Next: The Good Show, Chaps.
*This is a Gilbert & Sullivan reference to HMS Pinafore, talking about how the captain never swears. ("What never?" "Well... hardly ever!")
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